Our newly remodeled Neve 8078 tracking
room with 4 ISO booths is now up and running!
Our Neve 8078 console features 40 channel inputs, 32 monitor inputs, eight 10 series Neve modules, 8 API pre amps, 16 API EQ's, and a full Flying Faders system. The control room includes Augspurger mains, a large selection of outboard gear, and a 56 output Pro Tools HDIII system. Geoff Tanner, a renowned Neve expert, called this desk "the best 8078 in the world." There are 4 ISO areas that flank the main tracking room, the centerpiece being the extraordinary Yamaha C7 Disklavier, used by Fiona Apple for her triple-platinum album, "Tidal". Our sophisticated microphone collection boasts an array of vintage tube models.  

Control Room Equipment

  CONSOLE NEVE 8078
 
  Features
40 Model 31105 Input Channels
32 Model 32425 Monitor Channels
4 Shep Model 32264 Compressors
72 Channels of Flying Faders plus
10 Flying Fader Group Faders
2 Each Neve 1084, 1073, 1070, 1079  
  Tape Recorders / Reproducers
 
 

Sony PCM 3348

48 Track Digital Recorder/Reproducer

  Studer A 827-24 24 Track Analog Recorder/Reproducer
  Studer A 820 2 Track 1/4" or 1/2" Analog Recorder/Reproducer
  Sony PCM 7010 2 Track Digital DAT Recorder/Reproducer
  Tascam MK 122 2 Track Analog Cassette Recorder/Reproducer
  Sony MDS B5 MiniDisc Recorder
  Alesis ML 9600 Masterlink High-Resolution CD Recorder
  Monitor Systems
 
  Ausperger Mains with TAD Components
  Tannoy with Mastering Lab X-Overs
  Yamaha NS 10MS
  Synchronization
 
  Time Line Lynx II Modules
  Microphones
 
  AEA (RCA) 44  (2) Neumann M 147 (2)
  AKG 451 EB  (2)   Neumann FET 47
  AKG 414B-ULS (4)   Royer R-121 (2)
  AKG D112  Sennheiser 441 (2)
  AKG C12VR (2-Matched Pair)   Shure SM 7
  B & K 4011 (2)   Shure SM 57 (6)
  Crown PZM (2)   Sony 535 P (2)
  Electrovoice RE-20 (2)   Sony C 48 (2)
  Neumann KM84 (4)   Sony C 800G
  Neumann TLM 170 (2)   Sony ECM 999 (2)
  Neumann U 67  Sony F730 (3)
  Neumann U 87 (2)    
  Neumann M 49  Telefunken U 47 (out of service)
  Neumann M 149 (2) Sennheiser 421 (3)
  Outboard Signal Processing
 
  AMS RMX 16  Digital Reverberator
  API 512 Mic Pre’s (8)
  API 550b 4-Band parametric EQ’s (16)
  Apogee PSX 100 A-D & D-A Converter w/ UV22
  Countryman 85  Direct Boxes (12)
  DBX 902  Dessers (2)
  DBX 160A  Limiter/Compressor (2)
  DBX 160S Stereo Compressor
  DBX 165A "Overeasy" Compressor (3)
  Drawmer DS 201  Noise Gates (4)
  Empirical Labs Distressor   EL8 Compressor/Limiter (2)   
  Eventide H 3000SE  Harmonizer with HS 322 Sampling Upgrade
  GML 8200  Parametric Equalizer
  GML 8300  Two Channel Mic Pre-Amp
  GML 8900  Dynamic Range Controller
  Innovonics 201  Compressor (2)
  Lexicon PCM 42  Digital Delay Line
  Lexicon 480L  Reverb V 4 w/ Classic Cart
  Lexicon PCM 80  Multi FX
  Otari UFC-24 Digital Format Converter
  Retrospec Juice Box All Tube Direct Box
  Roland SDE 3000  Digital Delay
  Simon System RDB400  4 Channel Active Direct Box
  Sony DPS M7 Multi FX
  SSL Logic FX G384 Stereo Compressor
  T.C. Electronics 2290 Digital Delay
  Teletronix LA 2A   Leveling Amplifier (2)
  Tube Tech CL1B   Compressor/Limiter (2)
  Tube Tech PE1C  Program Equalizer (2)
  UREI LA3A Compressor/Limiter (2)
  UREI 1176LN  Compressor/Limiter (2)
  Yamaha SPX 900 Multi FX (2)
  Cancellation
  Cancellation in fewer than 48 hours, weekends excluded, of the scheduled session will be subject to a cancellation fee of up to 50% of scheduled time.  In the event that the studio client was informed of another request for the same time and the studio client did not wish to give up this time, the studio client will be responsible for up to 100% of the time originally booked.  The actual amount of liability will depend upon the studio's ability to reschedule the canceled time.
a b